The Welcoming Hands 1996, in the Jardin des Tuileries since 2000, by Louise Bourgeois
Bronze patine, granite
The Tuileries Garden, one of the oldest public gardens in Paris, always impresses visitors with its orderly design along the city’s historical axis, with its ponds and lovely gardens, but also with numerous outdoor sculptures. One we had not seen before is “The Welcoming Hands”. Walking along that path recently we noticed the hands, and were fascinated, thinking that perhaps they were some of Rodin’s work, as he loved to work on hands (and there is another of his works near the Orangerie).
But, this is a different artist, Louise Bourgeois, French-American (born Paris December1911, died Manhattan May 2010). It consists of five sets of intertwined bronze hands and arms, varying in size from 20-30 inches wide and high, on rough-hewn granite pedestals. Located near the northwestern corner of the garden, these delicate hands and arms tell, and ask, so much. Who do they belong to? Why are they cut off? These hands hold each other tightly, as though to prevent the other one from leaving, or as a sign of solidarity.
One also notices the historical reference that the sculpture as a whole might be making to its surroundings; it looks out at the famous Place de la Concorde, forever associated with the guillotine since the French Revolution, and therefore probably with severed limbs. However, for me, these arms are not gruesome at all, but rather more loving, and the artist herself called them “Welcoming Hands”.
These days, the Place de la Concorde is a busy traffic thoroughfare and has the giant
Ferris Wheel close to the edge of the park. We were there two days after the terrorist attack on Champs Elysees in April, and it was a quiet, peaceful Sunday, warm in the spring sunshine. It was very nice to see that ordinary Parisians were going about their usual Sunday activities: walking in the gardens, playing boules, relaxing on one of the many metal chairs, buying icescreams etc.